Keywords assignment
| movies (電影, dian ying) 643 entries |  |
| 一週電影記錄 - Movie-infos of the Week article: Linglong vol. 2 no. 74 (1932), p. 51 |
| 好萊塢短訊 - Hollywood Flash News article: Linglong vol. 2 no. 74 (1932), p. 52 |
| 電影界的人材 - Capable Persons of the Movie Circle article: Linglong vol. 2 no. 74 (1932), p. 53 |
| 國片三大公司的現狀 - The Current Situation of the Three Biggist Film Company in Our Country article: Linglong vol. 2 no. 74 (1932), p. 53 |
| 中國電影界託拉斯化 - The Chinese Movie Circle Begins to Run after the Model of Trust article: Linglong vol. 2 no. 74 (1932), p. 54 |
| 電影空前明星影片大選舉 - A Big Election of Unrivaled Movie Stars and Films advertisement: Linglong vol. 2 no. 75 (1932), p. 10 |
| 為花沉醉的楊君麗女士曾在故宮新怨中充要角 - Ms. Yang Juli, Who is Fascinated with Flowers Played an Important Role in "The New Resentment of the Old Palace" image: Linglong vol. 2 no. 75 (1932), p. 31 |
| 聯華新片"奮鬥"中之陳燕燕與鄭君里 - Chen Yanyan and Zheng Junli in the New Film of Lianhua Production "Battle" image: Linglong vol. 2 no. 75 (1932), p. 34 |
| 聖林影訊 - News about Movies from the Sacred Forest article: Linglong vol. 2 no. 75 (1932), p. 51 |
| 天一的不景氣 - Depression of the Tianyi Company article: Linglong vol. 2 no. 75 (1932), p. 52 |
| 一周電影專電 - Telegraphs on the Movies in This Week article: Linglong vol. 2 no. 75 (1932), p. 52 |
| 最近國片總檢閱 - recent domestic film productions article: Linglong vol. 2 no. 75 (1932), p. 54 |
| 派拉蒙新片中之尼羅皇后在乳中淴浴 - The Queen of Nil Bathing in Milk in a New Film of the Paramount Pictures Corporation image: Linglong vol. 2 no. 75 (1932), p. 55 |
| 派拉蒙新片[......] - A New Film of the Paramount Pictures Corporation [......] image: Linglong vol. 2 no. 75 (1932), p. 55 |
| 拍攝一幕華麗的大舞場景時所用之最大攝影車，車上裝有攝影機，高下升降，可以自如，為好萊塢最新式之攝影機械。 - The Biggest Camera Truck Used for Shooting a Magnificent Scene of Dancing. Cameras are Installed on the Truck. It Can Be Adjusted up and down. It Is the Newest Camera in Hollywood. image: Linglong vol. 2 no. 76 (1932), p. 32 |
| 拍攝一幕華麗的大舞場景時所用之最大攝影車，車上裝有攝影機，高下升降，可以自如，為好萊塢最新式之攝影機械。 - The Biggest Camera Truck Used for Shooting a Magnificent Scene of Dancing. Cameras are Installed on the Truck. It Can Be Adjusted up and down. It Is the Newest Camera in Hollywood. image: Linglong vol. 2 no. 76 (1932), p. 33 |
| 拍片前準備燈光和配置收音器(麥克羅風) - Preparing the Light and Installing Sound Sensor (microphone) image: Linglong vol. 2 no. 76 (1932), p. 34 |
| 名導演威廉地密爾在導演的時候，他正用電話指揮各人員工作。 - The Famous Director William deMille zai dao yan de shi hou, ta zheng yong dian hua zhi hui ge ren yuan gong zuo image: Linglong vol. 2 no. 76 (1932), p. 35 |
| 有聲片收音技師工作情形 - A Technician of the Sound Film Working image: Linglong vol. 2 no. 76 (1932), p. 35 |
| 有聲片收音室管轄音調高低之總機關 - The Switch to the Volume in the Tracking Room for the Sound Film image: Linglong vol. 2 no. 76 (1932), p. 35 |
| 在攝影機前表演的一班舞女 - A Group of Dancing Girl Performing in front of the Camera image: Linglong vol. 2 no. 76 (1932), p. 37 |
| 好萊塢電影城之一角，觸目皆攝影場也 - A Corner of the Hollywood Cinema City. There are Movie Studios Everywhere. image: Linglong vol. 2 no. 76 (1932), p. 38 |
| 電影空前明星影片大選舉 - A Big Election of Unrivaled Movie Stars and Films advertisement: Linglong vol. 2 no. 76 (1932), p. 43 |
| 電影城速寫 - Sketches of the Movie World article: Linglong vol. 2 no. 76 (1932), p. 45 |
| 科學化的好萊塢 - Hollywod undergone Scientific Process article: Linglong vol. 2 no. 76 (1932), p. 47 |
| 走進了攝影場 - Walking into a Movie Studio article: Linglong vol. 2 no. 76 (1932), p. 53 |
| 佈景的藝術 - The Art of Making Film Set article: Linglong vol. 2 no. 76 (1932), p. 54 |
| 好萊塢影片公司多利用小模型拍戲，此為一間華麗的跳舞場的模型與女星美娜根耐娣之比較。 - Cinema Companies in Hollywood often Use Small Models to Shoot Films. This is a Juxtaposition of a Model of a Magnificant Ball Room and the Woman Star Meinagennaiti. image: Linglong vol. 2 no. 76 (1932), p. 55 |
| 德國烏發新片的一幕 - A Scene of a New Film Produced by the German Wufa Company image: Linglong vol. 2 no. 77 (1932), p. 32 |
| 電影空前明星影片大選舉 - A Big Election of Unrivaled Movie Stars and Films advertisement: Linglong vol. 2 no. 77 (1932), p. 44 |
| 各國影片的特質 - Special Features of Films Produced in Different Lands article: Linglong vol. 2 no. 77 (1932), p. 46 |
| 聖林影訊 - News about Movies from the Sacred Forest article: Linglong vol. 2 no. 77 (1932), p. 47 |
| 威爾遜的成功史 - Wilson's Story to Success article: Linglong vol. 2 no. 77 (1932), p. 48 |
| 影界見聞錄 - Information of the Movie World article: Linglong vol. 2 no. 77 (1932), p. 49 |
| 國片界需要什麼? - what is needed for our domestic film production? article: Linglong vol. 2 no. 77 (1932), p. 50 |
| 環球新片 "OKAY AMERICA" 的一幕 - One Scene in the New Film "OKAY AMERICA" Produced by the the Universal Studios image: Linglong vol. 2 no. 78 (1932), p. 34 |
| 三張片子的短評 - Short Critiques on Three Films article: Linglong vol. 2 no. 78 (1932), p. 44 |
| 影戲場中速寫 - Sketches of Movie World article: Linglong vol. 2 no. 78 (1932), p. 46 |
| 第密爾破例一次 - Dimi'er Made an Exception article: Linglong vol. 2 no. 78 (1932), p. 47 |
| 蘇俄的電影生活 - Movie Life in Russia article: Linglong vol. 2 no. 78 (1932), p. 48 |
| 銀幕珍聞 - New Titbits of the Screen article: Linglong vol. 2 no. 78 (1932), p. 49 |
| 國產電影界的出路 - A Way out for Films of National Production article: Linglong vol. 2 no. 78 (1932), p. 50 |
| 環球 Okay America 之又一幕 - Another Scene in OKAY AMERICA, a Film Produced by the Universal Studios image: Linglong vol. 2 no. 78 (1932), p. 51 |
| 暨南公司赴杭拍戲的一班人員 - a working group from the Jinan Company setting up for Hangzhou to shoot a film image: Linglong vol. 2 no. 79 (1932), p. 28 |
| 暨南公司赴杭拍戲的一班人員 - a working group from the Jinan Company setting up for Hangzhou to shoot a film image: Linglong vol. 2 no. 79 (1932), p. 29 |
| 受名導演西席第密爾賞識之伊莉莎蘭第 - Elissa Landi, who is aprreciated by the famous director Cecil DeMille image: Linglong vol. 2 no. 79 (1932), p. 32 |
| 聖林漫錄 - Random Records of the Sacred Forest article: Linglong vol. 2 no. 79 (1932), p. 46 |
| 中國電影明星缺少什麼? - What is missing in Chinese movie stars? article: Linglong vol. 2 no. 79 (1932), p. 47 |
| 銀燈下的記錄 - records unter the silver light article: Linglong vol. 2 no. 79 (1932), p. 49 |
| 什麼是電影的目標 - what is the goal of movies article: Linglong vol. 2 no. 79 (1932), p. 50 |