Keywords assignment
movies (電影, dian ying) 643 entries |
中國電影女星陳燕燕近影 - A recent photo of the Chinese female movie star Chen Yanyan image: Linglong vol. 1 no. 37 (1931), p. 39 |
中國電影女星胡蝶近影 - Recent photo of Chinese female movie star Hu Die image: Linglong vol. 1 no. 39 (1931), p. 47 |
電影女星魯貽斯摩蘭近影 - Recent photo of the female movie star Luyisi Molan image: Linglong vol. 1 no. 39 (1931), p. 48 |
你看范朋克和琵琵妲妮兒在聲片"銀河取月"裡表演的神氣 - Look, the expression of Fairbanks and Bebe Daniels in the sound film "Reaching for the Moon" image: Linglong vol. 1 no. 40 (1931), p. 29 |
從各方面都可以看出來,瑪麗都蘭(Mary Doran)是影壇裏一朵美麗的鮮花。 - One can come to the conclusion in every aspect that Mary Doran is a beautiful flower in the film circles image: Linglong vol. 1 no. 40 (1931), p. 30 |
三年來公認的幾張佳片 - Several universally acknowledged good films in the past three years article: Linglong vol. 1 no. 40 (1931), p. 46 |
美國電影界以過聖誕為一年中期最快樂的日期,圖乃兩位女電星在夢著聖誕老人的來臨呢。 - The American film world takes Christmas as the happiest moment in a year. In this picture, two female movie stars are dreaming about the coming of Santa Claus image: Linglong vol. 1 no. 41 (1931), p. 30 |
新年的晚上是誰都快樂的,電影明星李查阿侖(Richard Arlen) 同他的夫人也在設讌請客呢! - Everyone is happy on New Year's Eve. The movie star Richard Arlen and his wife are also giving a banquet and inviting guests! image: Linglong vol. 1 no. 42 (1932), p. 28 |
同心結中的却司法雷爾與珍妮蓋諾 - Quesifaleier and Zhenni Gainuo in a true love knot image: Linglong vol. 1 no. 42 (1932), p. 28 |
影界女性的典型露浦萬麗絲 Lupe Velez - Lupe Velez, the representative of the women in the film circle image: Linglong vol. 1 no. 42 (1932), p. 30 |
一九三一年來公認的佳片 (三) - Universally acknowledged good films since 1931 (part three) article: Linglong vol. 1 no. 42 (1932), p. 43 |
一九三一年公認之佳片 - Universally acknowledged good films in 1931 article: Linglong vol. 1 no. 43 (1932), p. 40 |
中國電影珍聞 - News titbits of Chinese movies article: Linglong vol. 1 no. 43 (1932), p. 44 |
在一個秋風蕭瑟的時候,她的母親重病了。 - At a time when the autumn wind rustles in the air, her mother is suffering from serious disease article: Linglong vol. 1 no. 44 (1932), p. 28 |
圖乃中國影片"南國之春"的片段 - The picture shows an episode in the Chinese film "The Spring of the Southern Land" image: Linglong vol. 1 no. 44 (1932), p. 28 |
一九二八年公認之佳片 - Universally acknowledged good films in 1928 article: Linglong vol. 1 no. 44 (1932), p. 37 |
中國電影之劇變 - The upheaval of Chinese movies article: Linglong vol. 1 no. 44 (1932), p. 46 |
美而貴的腿 [Two pictures] - Beautiful and expensive legs image: Linglong vol. 1 no. 45 (1932), p. 27 |
三年來公認之佳片 (四) - Universally acknowledged good films in the past three years (four) article: Linglong vol. 1 no. 45 (1932), p. 40 |
電影造成之慘劇 - A tragic event caused by movies article: Linglong vol. 1 no. 45 (1932), p. 45 |
好萊塢大裁薪 - Widespread pay cuts in Hollywood article: Linglong vol. 1 no. 47 (1932), p. 39 |
希佛萊的成功史 - Chevalier's successful history article: Linglong vol. 1 no. 47 (1932), p. 39 |
曼琳黛屈里絲的新片 - The new movie of Marlene Dietrich article: Linglong vol. 1 no. 47 (1932), p. 40 |
格萊泰嘉寶的真性格 - The true color of Gelaitaijiabao article: Linglong vol. 1 no. 47 (1932), p. 45 |
中國電影珍聞 - News tidbits of Chinese movies article: Linglong vol. 1 no. 47 (1932), p. 46 |
電影 - Movies image: Linglong vol. 1 no. 47 (1932), p. 46 |
可羨慕的影戲界一對情人彭里昂和他的愛妻琵琵丹妮兒近影 - Recent photo of the enviable couple Ben Lyon and his beloved wife Bebe Daniels in the film world image: Linglong vol. 1 no. 47 (1932), p. 48 |
嬌小玲瓏的梁賽珍 - Small and delicate Liang Saizhen image: Linglong vol. 1 no. 48 (1932), p. 28 |
聯華攝影場中富於表情之陳燕燕 - The expressive Chen Yanyan in the Lianhua film studio image: Linglong vol. 1 no. 48 (1932), p. 28 |
金燄與錢杏球在人道一片中的熱烈奔放大足驚人 - The passion and boldness shown by Jin Yan and Qian Xinqiu in the movie "Humanity" is very surprising image: Linglong vol. 1 no. 48 (1932), p. 29 |
導演逼淚妙法 - The director's clever method to draw tears article: Linglong vol. 1 no. 48 (1932), p. 43 |
華萊司的替身 - The double of Hualaisi article: Linglong vol. 1 no. 48 (1932), p. 44 |
電影 - Movies image: Linglong vol. 1 no. 48 (1932), p. 46 |
電影 - Movies advertisement: Linglong vol. 1 no. 48 (1932), p. 46 |
"人獸奇觀"之女主角愛溫[......] - Aiwen..., the heroin of "Spectacle between Human and Animal" image: Linglong vol. 1 no. 48 (1932), p. 48 |
大飯店 - Grand Hotel image: Linglong vol. 1 no. 49 (1932), p. 30 |
十四嵗女生觀影心理 - The mind of fourteen-year-old girls about movies article: Linglong vol. 1 no. 49 (1932), p. 43 |
賈克披克馥三次離異 - Jack Pickford has divorced three times article: Linglong vol. 1 no. 49 (1932), p. 44 |
嘉寶不愧騎馬能手 - Garbo proves herself to be an expert in horse riding article: Linglong vol. 1 no. 49 (1932), p. 44 |
中外銀幕瑣聞 - Bits of news about Chinese and foreign movies article: Linglong vol. 1 no. 49 (1932), p. 45 |
銀幕情侶 - A couple out of the screen article: Linglong vol. 1 no. 49 (1932), p. 45 |
離婚之愛 - 吉爾勃和克萊離婚以後 - Love of divorce - after John Gilbert and (Ina) Claire got divorced article: Linglong vol. 1 no. 49 (1932), p. 46 |
明星茂那勞在好萊塢雖未臻至高之地位但她生成是一雙妖媚的眼睛感人肉體所以她專飾蕩角 - Although the star Myrna Loy doesn't have the highest position in Hollywood, she is born with a pair of tempting eyes and sexy body. Therefore she is specialized in playing the role of slut image: Linglong vol. 1 no. 49 (1932), p. 47 |
電影女星菲菲桃賽的媚眼 - Charming eyes of female movie star Feifeitaosai image: Linglong vol. 1 no. 49 (1932), p. 48 |
無線電聽眾,電影的觀眾,不可不閱的電聲日報 - Diansheng Daily which radio listeners and movie audience have to read advertisement: Linglong vol. 1 no. 50 (1932), p. 56 |
電影明星康司登斐乃脫所以能得盛名,是因為她在好幾張片子中扮裝模特兒,給幾位急色兒捧出世的。 - The reason why the movie star Kangsidengfeinaituo attains great reputation is because she plays the role of model in quite a few movies and becomes successful under the support of several amorists image: Linglong vol. 1 no. 50 (1932), p. 63 |
電影明星薩雷愛理爾司 Sally EIlers 的近影 - Recent photo of the movie star Sally Ellers image: Linglong vol. 1 no. 51 (1932), p. 28 |
肉腿 - sexy legs image: Linglong vol. 1 no. 51 (1932), p. 29 |
猿人泰山 - Tarzan the ape man image: Linglong vol. 1 no. 51 (1932), p. 29 |
無線電聽眾,電影的觀眾,不可不閱的電聲日報 - Diansheng Daily which radio listeners and movie audience have to read advertisement: Linglong vol. 1 no. 52 (1932), p. 41 |