
Keywords assignment
| dance (舞蹈, wu dao) 176 entries | ![]() |
| 五種新式的探戈舞步 - Five new styles of tango dance image: Linglong vol. 1 no. 17 (1931), p. 32 |
| 好萊塢最著名之舞女麥克 - The most famous dancer Maike in Hollywood image: Linglong vol. 1 no. 18 (1931), p. 34 |
| 舞之美 - The beauty of dance image: Linglong vol. 1 no. 19 (1931), p. 29 |
| 藝美的舞姿 - Artistic and beautiful dancers' posings image: Linglong vol. 1 no. 21 (1931), p. 35 |
| 好芾場舞姿之一幕 - A scene of the dance posture in Haofei square image: Linglong vol. 1 no. 24 (1931), p. 37 |
| 好萊塢女星舞姿之一 - One of the dancing postures of female Hollywood stars image: Linglong vol. 1 no. 26 (1931), p. 33 |
| 法國舞臺上最流行之歌舞裝 - The most popular dress for singing and dancing on the stage in France image: Linglong vol. 1 no. 27 (1931), p. 37 |
| 美國電影女星舞裝之一斑 - An example of dresses for dancing of American female movie stars image: Linglong vol. 1 no. 27 (1931), p. 47 |
| 聾秋霞女士之足尖舞 - Ms Long Qiuxia's toe dance image: Linglong vol. 1 no. 28 (1931), p. 29 |
| 美之舞 - The dance of beauty image: Linglong vol. 1 no. 29 (1931), p. 34 |
| 電影女星之浪漫舞 - The romantic dance of the female movie star image: Linglong vol. 1 no. 33 (1931), p. 34 |
| 中國的舞男 - Chinese dancing men article: Linglong vol. 1 no. 42 (1932), p. 8 |
| 圖乃巴黎戲院裡跳舞明星的舞姿 - The posture of the star dancing in the theatre in Paris, as shown in the picture image: Linglong vol. 1 no. 42 (1932), p. 24 |
| 圖乃巴黎戲院裡跳舞明星的舞姿 - The posture of the star dancing in the theatre in Paris, as shown in the picture image: Linglong vol. 1 no. 42 (1932), p. 25 |
| 下左乃古代印地安人的一種自然生活舞蹈的優美姿勢 - Lower left shows the beautiful posture of a natural life dance of ancient Indians image: Linglong vol. 1 no. 43 (1932), p. 24 |
| 康健的身體 - Healthy body article: Linglong vol. 1 no. 43 (1932), p. 27 |
| 美國百老匯大戲院舞蹈家的表演姿勢 - The performance of a dancer from the Broadway theatre in America image: Linglong vol. 1 no. 43 (1932), p. 27 |
| 少女在舞場中的時候 - At the time when a young girl is in the dancing hall image: Linglong vol. 1 no. 44 (1932), p. 23 |
| 美而貴的腿 [Two pictures] - Beautiful and expensive legs image: Linglong vol. 1 no. 45 (1932), p. 27 |
| 中國歌舞界已資格最老,以舞姿最好見稱的歌舞明星薛玲先女士。 - Ms Xue Lingxian, famous as the most experienced and the most skillful singing and dancing star in the singing and dancing world in China image: Linglong vol. 1 no. 45 (1932), p. 30 |
| 一位有歌舞天才的趙曉鏡女士 - Ms Zhao Xiaojing talented in singing and dancing image: Linglong vol. 1 no. 46 (1932), p. 19 |
| (快樂的前進曲) 美國百老匯大戲院舞蹈表演的姿勢 - (Happy march) A dancing performance in the Broadway theatre in America image: Linglong vol. 1 no. 47 (1932), p. 26 |
| 體美的舞姿 - Dancing postures of beautiful bodies image: Linglong vol. 1 no. 47 (1932), p. 27 |
| 歌舞時代的黎明暉 - The age of singing and dancing image: Linglong vol. 1 no. 48 (1932), p. 19 |
| 東亞體育學校孫意曼女士好運動擅舞蹈。此其活潑之姿態也。 - Ms Sun Yiman from East Asian sports school likes doing sports and is good at dancing. This is her lively gesture. image: Linglong vol. 1 no. 49 (1932), p. 23 |
| 大魔術家郎德山之二女美娜及妮莎之舞姿 - The dancing posture of Meina and Nisha, two daughters of the great Magician Long Tack Sam image: Linglong vol. 1 no. 50 (1932), p. 64 |
| 梅花歌舞團表演節目之一幕,龔秋霞錢鍾秀均在內。 - One scene of the show of "Plum Blossom" song and dance ensemble. Both Gong Qiuxia and Qian Zhongxiu are included. image: Linglong vol. 1 no. 51 (1932), p. 24 |
| 梅花歌舞團表演節目之一幕,龔秋霞錢鍾秀均在內。 - One scene of the show of "Plum Blossom" song and dance ensemble. Both Gong Qiuxia and Qian Zhongxiu are included. image: Linglong vol. 1 no. 51 (1932), p. 25 |
| 袁霄興女士善交際善舞蹈 - Ms Yuan Xiaoxing is good at social communication and dancing image: Linglong vol. 1 no. 54 (1932), p. 1 |
| 舞姿翩躚 - Dancing lightly image: Linglong vol. 1 no. 54 (1932), p. 26 |
| 女子練習跳舞[......] [三圖] - Women practising dance image: Linglong vol. 2 no. 56 (1932), p. 24 |
| 女子練習跳舞[......] [三圖] - Women practising dance image: Linglong vol. 2 no. 56 (1932), p. 25 |
| 聖瑪利亞女學本季同樂大會之攝影 遊藝節目中之踏地舞 - Photo of the happy-together party of St. Maria girls' school in this season; the tap dance, one of the entertainment programmes image: Linglong vol. 2 no. 57 (1932), p. 25 |
| 美妙的舞影 - Wonderful dance shadows image: Linglong vol. 2 no. 57 (1932), p. 29 |
| 徐粲鶯龔秋霞的水手舞 - The sailor's dance of Xu Canying and Gong Qiuxia image: Linglong vol. 2 no. 57 (1932), p. 30 |
| 玉環舞 - Dance of jade ring image: Linglong vol. 2 no. 58 (1932), p. 24 |
| 玉環舞 - Dance of jade ring image: Linglong vol. 2 no. 58 (1932), p. 25 |
| 菲律賓華僑第一女學校表演歌舞之女生 - The students from the Number one Chinese girls' school in the Philippines singing and dancing image: Linglong vol. 2 no. 59 (1932), p. 20 |
| 青春的舞蹈 - The dance of youth image: Linglong vol. 2 no. 61 (1932), p. 28 |
| 舞的藝術[二圖] - The art of dance image: Linglong vol. 2 no. 61 (1932), p. 29 |
| 曾紹貞女士,擅游泳,精舞蹈,此其玉影也。 - Ms Zeng Shaozhen, good at swimming and dancing. This is her elegant image. image: Linglong vol. 2 no. 62 (1932), p. 1 |
| 西國女子學習舞蹈前必有之工作 - The work women in the West have to do before they learn how to dance image: Linglong vol. 2 no. 62 (1932), p. 24 |
| 柳腰如絮之表演 - The performance in which their small waists are as flexible as fibre image: Linglong vol. 2 no. 62 (1932), p. 24 |
| 欲使體格健美,須有相當之鍛鍊,舞蹈乃達到健美之唯一祕訣也。 - If you want to make your body strong and graceful, you should do considerable exercises. Dancing is the only secret to become strong and graceful. image: Linglong vol. 2 no. 62 (1932), p. 25 |
| 環球電影明星練習舞台舞之情形 - The scene of movie stars from the Universal Pictures practising dance on the stage image: Linglong vol. 2 no. 63 (1932), p. 29 |
| 甯拿霍金和威廉珂蓮之舞姿 - The dancing pose of Ningnahuojin and Weiliankelian image: Linglong vol. 2 no. 63 (1932), p. 30 |
| 福建人和女學表演"三蝴蝶"與"因為你"之攝影 - The photos of the performance of "Three Butterflies" and "Because of You" by students from Fujian Renhe girls' school image: Linglong vol. 2 no. 64 (1932), p. 27 |
| 福建閩北公立中學學生表演“蝶戀花” - The performance of "Butterflies love Flowers" by students from Fujian Minbei public middle school image: Linglong vol. 2 no. 65 (1932), p. 21 |
| 金惠珍女士善交際精舞蹈 - Ms Jin Huizhen is good at social communication and dance image: Linglong vol. 2 no. 67 (1932), p. 22 |
| 快樂的舞蹈 - Happy dance image: Linglong vol. 2 no. 70 (1932), p. 43 |

